Illustrated logo with a bay window in cool blues with calligraphy of the text “Bay Windows” in magenta. Mexican paper cut banners in orange and yellow bear the text “Ventanas en Saliente” Red Chinese paper cuts in the shape of a lantern and a flower bear the text, “flower window” (the colloquial name for papercuts) in Chinese.

Now happening: Bay Windows / Ventanas en saliente / 窗花, a trilingual, cross-cultural project engaging 15 immigrant, working-class, Chinese and Latinx women to co-create papercuts and public artworks.

I am a visual artist and social practitioner exploring belonging, resilience, and mental well being. I use community engagement and hyperlocal research to gather grassroots perspectives, which I interpret and amplify by making as hand-crafted objects, such as flags, banners, comics, zines, letterpress prints, graphite diagrams, portraits, and soft sculptures.

Current

6/20–12/20: My set of 20 collaborative portraits from Recognitions / 认 • 知 is on view in Living Here @ Marjorie Barrick Museum of Art, University of Nevada at Las Vegas.

7/26/2025–1/11/2026: Spirit House will be on view at the Henry Art Gallery at the University of Washington in Seattle.

10/11/2025–1/18/2026: Guiding Ethos @ Trout Museum of Art, Appleton, WI.

Upcoming

12/11/2025–3/11/2026: Bay Windows: Illuminating Immigrant Women’s Perspectives, various locations in San Francisco Chinatown & Mission District.
1/24/2026: Scavenger hunt.

Recent

I was a guest on You Can’t Eat Art, a podcast by Clara Kumunde, Marcus Curatorial Fellow, Lucas Artists Program, Montalvo Arts Center (October 17).

I spoke with Cecilia Lei of KQED for “At 60, the Chinese Culture Center Enters a ‘New Era of Courage’” (October 24).

2025 Creative Capital Awardee, Zellerbach Family Foundation Community Arts Grantee, A Blade of Grass Field Funds recipient.

5/10–6/7: Curatorial project: Twin Windows: Papercuts by Beatriz Vasquez and Xiaoqing Shi @ Kearny Street Workshop, San Francisco

Ongoing

Contributing artist, Color Factory, Houston and Chicago.